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As an autodidact, I've had the privilege of crossing paths with other people who are passionate about handpans.
There is no academic program dedicated to the art of making handpans.
Thanks to an atypical life path, interspersed with varied professional experiences, I've had the opportunity to meet inspiring people. The exchanges and encounters that have marked this journey have enabled me to assimilate the knowledge and skills necessary to create the sound sculptures I propose today.
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/ Amara / Equinox / Hijaz / Intégral / Kurd / Annazyska / Low Mystic / Major / Romanian / Voyager / Magic voyage / Yshasavita /...
It's hard to find your way around.
Especially as the vocabulary is different from that of solfeggio. Worse still, it sometimes borrows terms to describe different elements.
I propose to help you make sense of this maze of terms.
Timbre, Sustain, Harmonies, Bridges, Appearance, Presence, Fundamental, Octave, Third, Quarter, Fifth...
Each instrument can possess a unique set of sound characteristics.
There are many variables that can influence the "timbre" of each realization.
By expressing your expectations. I will integrate your feelings and desires into the creation of YOUR instrument.
Brushing, polishing, heat treatment...
These skating techniques offer artists and craftsmen a wide range of options for creating unique, personalized finishes on steel, enabling them to express their creativity and style in their creations.
This is a stage I'm particularly fond of.
It allows me to personalize each instrument in a totally unique way.
Handpan maker - Facteur de Handpans
Sound sculptor - Sculpteur sonore
Copyright Emeric Bacquey - All rights reserved